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No Solvents

March 14, 2006

…as enforced by the invisible guy in the white suit.

Crangle's Collision has given me more images I'm happy with than I ever expected. This one in particular, in that I don't think I could've staged it intentionally had I wanted to.

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10 Comments

Richard Bartlett

Mar 14, 2006 at 2:56 am

Just wondering Kendall ..
Ever see or feel any ghosts in some of these places.?

Nicole

Mar 14, 2006 at 7:28 am

Thats a good question Richard.Is that mold growing on the wall? Very cool picture.

Edward M

Mar 14, 2006 at 7:28 am

I was just thinking this, but canada has a crapload of places that are abandoned. I wonder why is it so. And why is it not inhabited again by another leading company. I need to start buying these places and start selling the scent pines in the car.

chickadee

Mar 14, 2006 at 7:37 am

love the wonky paint job on the wall, as well as all the wires hanging down. does the other yellow sign say the same thing?

Gabriel

Mar 14, 2006 at 12:46 pm

I have always wondered the same question that Mr. Bartlett posed. Also, if when using digital, any captured 'images' have appeared. i.e. that nursing home had to have been ripe for opportunities. I know from experience that film will capture images of 'ghosts/spirits' but havn't heard if digital is capable.

Mar 15, 2006 at 12:53 pm

i really like your mysterious guradsman. this is just a lot of fun in a sad place. makes you wonder if we all just need to go back to american products and refill these places, as well as our economy and employement. regardless, this shot has a lot of energy. it is a great capture!

Rodger (drummer)

Mar 15, 2006 at 1:44 pm

sure no solvents but what about soilent green? lol
(not many are gonna get that one)

Gabriel

Mar 16, 2006 at 6:23 am

Soilent green is people!!!

mantis

Mar 17, 2006 at 9:48 pm

an angry vengefull ghost indeed..

Karl

Apr 29, 2006 at 10:34 pm

An interesting shot--very forlorn. I don't know if you knew, but they sometimes decorate condoms with depictions of erotic acts, and the like. Perhaps it would be sensible for our culture to choose to represent grave disasters on our prophylactic costumes, rather than the intimidating and non-valourising sheer white of this specimen, so as to exhort the wearer to labour.

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